DIY gift wrap and envelopes

DIY gift wrap and envelopes

Today Spoonflower announced that they are adding custom printed gift wrap to their product offerings. For $15 you can print a 26″ x 6′ roll on matte or satin paper.

 

Create_Giftwrap

Holly Becker at decor8 also posted yesterday about this fun DIY envelope project, published by a German interiors magazine called Living at Home.

 

Briefumschlag

 

Although the instructions are in German, it’s pretty easy to figure out how to follow along, just by referring to the pictures (more of which can be found at Living at Home’s website). This seems like an ideal project for using some of that beautiful custom paper you can now print at Spoonflower!

I keep ideas like this on my Pinterest page on a board called “Things to do with my surface designs”, if you’d like to follow along.

So, do you have other ideas for using Spoonflower’s custom gift wrap? If so, please share!

signature

 

A new technique (for me)

A new technique (for me)

Hello out there! I’m back and excited to share a new design with you (above and below).

This is a dabble into a bit of a new technique for me.

First, I drew the black lines by hand.

Then, I scanned in my original artwork.

Last, I added color behind the line work on digitally painted layers in Photoshop.

I know a lot of designers use this technique to retain a bit of a handmade feel to their designs, while also benefiting from all the advantages of coloring with Photoshop (easy editing and erasing, coloring with layers, etc.)

Below are a couple of my favorite designs using this technique (or at least generating a similar effect). I’ve also pinned them over on my Pinterest page for you to follow if the spirit so moves you.

First, my favorite jacket ever, by Cacharel:

 

And a lovely wallpaper by Camilla Meijer:

 

What do you think? Do you work in this style? Can you share some beautiful examples of this kind of surface design applied to products?

Happy designing!

Sandy, Dutch Design Week and Poppies

Sandy, Dutch Design Week and Poppies

The past couple of weeks have had me struggling with another bout of homesickness. Strangely, the images of tragedy striking New York City (again) made me feel like I should be there … I’ve missed my New England roots many times over the last 5.5 years, but I haven’t missed New York like I have these past weeks, seeing my old neighborhood (Tribeca) in pitch darkness, my old Subway stops under water … Ah. Sandy’s winds are pulling on my heart strings …

But then last week I found some comfort in this beautiful letter from Emmy McCarthy, an expat to Amsterdam who founded the Amsterdam Mamas. As she says, as an expat, your definition of home shifts. Basically, it’s wherever your kids are!

It’s true, there’s no force of nature bigger or stronger, when it comes to my heart strings, than Ruby and Juliette. And, this is their home. So, I continue to do my best to grow my own roots here, roots that don’t give in to hurricane gusts of homesickness.

And, it’s working, slowly but surely.

A couple of weeks ago I went to Dutch Design Week in Eindhoven, but I really failed at taking good photos. I just didn’t have the time or the right state of mind to enjoy it and to go to the two places I really wanted to go: the Graduate Projects Exhibition at the Design Academy Eindhoven and the studio/store/restaurant/city-unto-itself of Piet Hein Eek. Oh well … Next year.

 

 

I did snap this photo of a billboard featuring the legendary Mr. Eek that I took from the train platform, overlooking the Strijp-S location at DDW (an old Philips plant which has now been converted into studio/office space for lots of creative businesses, a skateboard park, restaurants, cafés and event locations, a Farmer’s Market, etc.) I think its footprint is as large, if not larger, than the entire downtown area of Eindhoven, and the city is subsidizing it in some pretty exciting ways.

What do you think of the quote on the billboard? It should have started with a “He …”, but other than that, is this true for you? Is your environment your studio, your neighborhood, your town, your city, your world?

 

Map courtesy of www.brabant.nl

 

Well, as environments go, I think mine is a pretty good one. For almost exactly 4 years now, I’ve lived between Eindhoven and ‘s Hertogenbosch, two of the major cities that comprise the Province of Brabant (seen on the map above) in the South of the Netherlands. Brabant is a candidate for European Capital of Culture 2018. From the always trustworthy Wikipedia:

“The European Capital of Culture is a city designated by the European Union for a period of one calendar year during which it organises a series of cultural events with a strong European dimension. Preparing a European Capital of Culture can be an opportunity for the city to generate considerable cultural, social and economic benefits and it can help foster urban regeneration, change the city’s image and raise its visibility and profile on an international scale.”

I read through the application while at DDW and I was truly impressed, both by its content and presentation. It is really amazing to think about all the things going on here, between Eindhoven being ‘Brainport’ (the city with the highest average IQ and largest number of patents per capita) and home to the world-renowned Design Academy, Philips and ASML Headquarters, the Textile Museum in Tilburg, Vlisco in Helmond, history and beauty and charm in ‘s Hertogenbosch … And I know I’m forgetting a lot of things. I could have picked a worse place to expatriate to, that’s for sure.

One thing I did accomplish at Dutch Design Week is that I met with an interior designer who is developing a product line comprised of different ranges: rugs, tablecloths, tableware, vases, wallpaper, etc. We may become partners in producing a line of wallpaper! Last week I spent about two hours learning about licensing contracts for artists, as ours would be a relationship where I would be paid royalties on net sales. It’s all described very clearly in a handy reference I can recommend: Licensing Art & Design by Caryn R. Leland.

 

 

After just two hours, I felt like I went to law school, at least on this subject. Some other great references on art licensing are Maria Brophy’s blog and the Art Licensing blog by Tara Reed. These two experts on the subject have recently collaborated on this book, which has also gotten a lot of positive reviews.

I’m also working on a commission for a private home (my first one!) and learning that this is my favorite way of working with clients: visiting their spaces, hearing about their inspirations, their stories, looking at their furniture and coming up with a unique solution for their walls. Then wallpaper becomes much more that just decoration; It becomes a truly personal and unique reflection of the spaces and their inhabitants. It becomes and experience and a story in and of itself, as all things in our homes should be …

Over the last month or so, I’ve been doing a lot of thinking about my natural focus and how I want to approach this massive market of surface design in a unique and authentic way, and it’s all beginning to take shape. Now I’m toying with the idea of (one day) finding a little shopfront in the village of Vught here and turning it into my studio/gallery/shop, where customers can walk in and have a consultation, request a commission, see past projects on display, etc. How’s that for putting down some roots?! I think the ‘seed was planted’ (so to speak) when I read this post about bloggers opening brick and mortar shops (a new trend, apparently). But then last week I was biking by some of the charming village shops in Vught after dropping Juliette off at daycare, and I suddenly saw myself moving in (someday) …

 

View of Vught as you approach from ‘s Hertogenbosch. The church whose steeple you see here is currently being renovated to house the public library, the Vught Historical Museum, a café, etc.

The ice cream shop in town where we always treat ourselves on Queens Day (April 30).

Vught is home to one of the best patisseries in Europe: de Rouw. A very classy place that makes me feel a bit like I’m in Paris.

 

What do you think? Pretty charming, right?

These past weeks I’ve been so busy that design work has progressed slowly, but here’s a peak at the poppies I’ve been pondering …

 

 

Or, perhaps you prefer a more dramatic, dark and mysterious palette?

 

 

Back to basics: Me and my HB (pencil)

Back to basics: Me and my HB (pencil)

A few weeks ago, after I returned home from a fantastic weekend trip to Paris, where I took lots of colorful photos, I wrote this post about quieting down a bit. I wanted to do some simpler designs: designs with simpler compositions and ‘quieter’ color palettes.

Here is one of the first pieces that came out of that attempt:

 

 

At the same time, I was completing one of my Chapter 1 ‘tasks’ in The Artist’s Way, a book/course that has totally transformed my life over the past several weeks. The task was to write a thank you letter to someone from my past who had really ‘championed’ my work. So I wrote a card to a teacher of mine from the Art Students League of New York, where I took portrait and figure drawing classes from 2001-2004.

I remember that it took me a while to find the ASLNY, when I first moved to NYC in December of 2000. But when I did, a whole world opened up to me … It’s a place with a long, rich history; It was founded in 1875 for artists, by artists. I think the first class I took (figure drawing from a live model) lasted pretty much the whole day on Saturdays. I loved it! I hadn’t really been doing much painting or drawing since I graduated from college a year earlier, and being in that environment made me realize that I needed to make art like I needed to breathe air! And what an honor to be able to study there, where artists the likes of Georgia O’Keefe had studied!

Somehow, over the past eight years, working as a graphic designer, studying for my MFA (which was much more ‘conceptually’ focused) and getting into surface design, I’ve pretty much abandoned working by hand. I’ve done an occasional portrait here and there, but never gained any momentum. The computer is, by comparison, so much easier to set up (turn on) and clean up (turn off) and takes up so much less space (space is at a premium here in the Netherlands …) Plus, Photoshop is SO amazing!!

But in the interest of creating simpler compositions and quieter color palettes, last week I decided to go back to basics and bust out my old drawing pencils and papers. It was so nice to be physically active while drawing – standing up, stepping back, dancing around a little bit, even getting a sore arm! (I’m really rusty and out of shape, obviously!) I’d forgotten what that was like.

Anyway, I really enjoyed drawing again, the good old-fashioned way, and I am committed to incorporating it in my work more and more from now on. On Saturday I went to the public library in Den Bosch and checked out a stack of books on still life drawing/painting from the Golden Age until today.

I think there is so much territory to explore at the intersection of traditional and digital arts!

Here is the piece I completed most recently (today) using a hand-drawn motif that I then edited and arranged using Photoshop:

 

 

On Thursday, if I can get a babysitter, I have a meeting at Dutch Design Week with an interior designer who has his own product line and may want to use some of my designs for some wallpapers. I’ll keep you posted!

Feeling stuck, but hopeful.

Feeling stuck, but hopeful.

This week I’ve been doing what feels like banging my head against a wall, trying to complete a new design series. Does this ever happen to you? I know this is just part of the creative process, but it really is just how Julia Cameron describes it in The Artist’s Way. I have this horrible little voice in my head that’s constantly asking me: “And? You think that’s special?” “Is this whole pursuit even worthwhile?” “This is what you take time away from your kids for!?”

When I’m in a state like this, I don’t know whether to dig in and just keep forging ahead, or take a break. But so far I’ve just been stubbornly digging in, hoping for that breakthrough, that epiphany, that will restore my hope and faith – in myself, in this path I’ve chosen … you know? I’m really hoping that will happen tonight or tomorrow. Please God. If not, I guess I’ll be forced to take a break this weekend.

One of the feelings I’ve really been struggling with this week is one that I think is familiar to all mothers: guilt. Am I right? I feel bad about sending my kids to daycare 2 days a week so that I can work.

I just feel such a strong sense of responsibility towards them, and if they express an iota of displeasure about being in daycare, a (crazy) part of me has the urge to yank them out and keep them home with me ALL the time, barricade the door, home school them and never release them back into the real world … But they are 4.5 and 2.5 (old enough to enjoy and benefit from playing with other kids). My husband, who actually picks them up from daycare, says that when he does, they are usually so blissfully transported by whatever they’re doing that they ignore him and play on.

Ruby LOVES her school but sometimes complains about Friday’s after school program. Juliette always expresses reluctance about daycare (since we returned from summer holidays in August) and repeatedly tells me stories about a classmate who pushes and grabs things from her. These stories are, granted, largely unintelligible, and what I don’t understand I probably fill in with my guilty conscience. When we mentioned Juliette’s alleged victimization to one of her teachers, who is gold, gold, GOLD (!) she kind of politely said (in so many words) that if Juliette can dish it out, she can certainly take it. I’m sure she’s dishing out her fair share, as she is rather feisty, even for a 2-year old.

 

 

(Looks pretty sweet there though, doesn’t she?)

You see, when both of my daughters were born, it was immediately clear to me that they trumped anything else I ever have or ever will create – a gajillion (sp?) times over.

So, for me to take time away from them, it has to be for a worthwhile pursuit. On the other hand, I am a whole person, not just a mother. Just because I am a mother, I don’t have to let the rest of me slowly atrophy and die, do I? I need to be creating; I know this about myself. Plus, I know I am a better mother when I’m not a mother ALL the time. There are just so many things like this, where I guess you have to trust your internal feelings about what is right for you, because it’s different than what’s right for the next person. And even when you trust those feelings, there will be days, weeks – hopefully not much longer than that – when you doubt them.

 

Illustration I did of Ruby and Juliette reading (er, playing on the iPad) together.

 

I wanted to write about a children’s book this week, because last week a friend asked me for a recommendation and I totally blanked. But when I thought about it more and my brain finally booted up, I remembered a book I had as a child and that I just translated (unofficially, and with the kind help of my mother-in-law) into Dutch a few months ago, so that I could give it as a gift at Ruby’s school.

Do you have any favorite children’s books to recommend?

Well, this book I want to write about today kind of ties in with the idea I briefly mentioned above, of releasing your kids into the world – a world in which they might not be happy, a world in which they might not feel safe, all the time. It’s actually two books in a series: If You’re Afraid of the Dark, Remember the Night Rainbow, and If You’re Afraid of the Dark, Add One More Star to the Night, by Seattle-based Cooper Edens.

I had the first book as a kid and I remember being scared of it. Maybe there should be a subtitle or an instruction manual that says: If You’re Afraid of This Book, Read It When You’re 30. It’s kind of a children’s book for adults. But with a few more years and (some painful) experiences under my belt, I can really appreciate its poetic beauty, its heartbreaking/heartwarming faith and optimism in the human spirit and its ability to find a silver lining in any situation.

Here are some excerpts (in no particular order) and some of the magical illustrations that accompany them:

If you’re afraid of the dark … add one more star to the night.”

© Cooper Edens, If You're Afraid of the Dark, Add One More Star to the Night

 

“If tomorrow morning the sky falls … have clouds for breakfast.”

© Cooper Edens, If You're Afraid of the Dark, Remember the Night Rainbow

 

“If you have butterflies in your stomach … ask them into your heart.”

© Cooper Edens, If You're Afraid of the Dark, Remember the Night Rainbow

 

If you become lost … make wherever you are look like home.”

© Cooper Edens, If You're Afraid of the Dark, Add One More Star to the Night

 

“If you’re afraid of the dark … remember the night rainbow.”

© Cooper Edens, If You're Afraid of the Dark, Remember the Night Rainbow

 

If one day you must leave home … draw stars on the bottom of your shoes to light your way back.”

© Cooper Edens, If You're Afraid of the Dark, Add One More Star to the Night

 

If you’re at the end of your rope … untie the knot in your heart.”

© Cooper Edens, If You're Afraid of the Dark, Add One More Star to the Night

 

If your world has come undone … fasten it securely to the horizon.”

© Cooper Edens, If You're Afraid of the Dark, Add One More Star to the Night

 

If you must cry … plant your tears as seeds.”

© Cooper Edens, If You're Afraid of the Dark, Add One More Star to the Night

 

So … it’s maybe not hard to imagine that all this talk of pain and loss and suffering kind of put me off as a child (and I have to admit that Ruby and Juliette never request this book either). But reading it as an adult, I really appreciate its unconventionality. I appreciate the message that although we cannot always control what happens to us, we can control how we deal with what happens to us, how we fashion it into our lives, our personal histories, dreams and so on. Because it really is just on the other side of those fears/tears, that the most beautiful things can happen.

I feel this way about my kids, as I (sometimes guiltily) release them into the world. As a mother, of course you want to protect them from even the slightest twinge of discomfort. (As if you could). But on the other hand, you know if they never squared off against this inherent part of being human – pain – they would be the most boring, most unaccomplished human beings to walk the Earth! The question is not if they will experience pain (because you know they will) – at the hands of the pushing/grabbing classmate, or worse – but how they will experience it. As a mother, you cannot influence the if. But the how, yes, that’s where you come in. That’s where we all come in.

And I guess it’s the same with the creative process. We should remind ourselves, when we are in these snake pits of doubt, that it is in fact these low points that signal new, more magnificent vistas ahead. We just have to show up every day, as Elizabeth Gilbert says in her amazing TEDTalk about her creative process and philosophy.

And as the Great Julia Cameron reminds us on page 7 of The Artist’s Way:

“We must allow the bolt of pain to strike us. Remember, this is useful pain; lightning illuminates.”

 

My Wallpaper Obsession Takes Hold

My Wallpaper Obsession Takes Hold

Last week I checked out one of Tricia Guild’s books from the library, and she got me really inspired about wallpaper design, or designing for interiors in general. I have to recognize this inclination of mine to spend painstaking hours completing a single design. After I’ve invested all that work, I want the design to create a whole experience, to evoke a mood. I want to create something that’s kind of ‘large and in charge’, and an accent wall seems like just the place for me :)

Last week I also picked up The Ultimate Guide to Wallpaper by Charlotte Abrahams. It has a great collection of different kinds of wallpaper, different ways to use it (think of lining cabinets, framing it, etc.) and different ways to combine it.

I’m continuing to work with the paintbrushes in Photoshop and I love the intersection that my fine arts and digital arts backgrounds/experience finds here. I love painting, but I never wanted to create a single work that hung in a gallery. Now I can paint knowing that my work can be applied to any number of products – wallpaper, interior textiles, fashion textiles, accessories, paper goods … and seen all over the world. Truly exciting!

 

 

Here’s the design I completed last week, in a couple of contexts. I’d like to see it in a really industrial space, because I think it would be a really interesting contrast between old and new (old subject matter/new techniques and old space/new space). For now, I’ve plopped it into an IKEA ad (above) and an image I picked up from the June issue of my favorite Dutch interior magazine, VTWonen (below).

 

 

The repeat is huge (almost 2m x 1 m), so up close, you can see all the brush strokes. I love that we used to hang paintings on walls, but now have the technology to turn the walls themselves into the paintings …

Later this week I’m heading down to Print Unlimited to pick some fabric types, as I’d like to see this design (scaled down to a smaller size) on some dresses, skirts and pillows too. I’m finally ready to create some prototypes – to wear, take around to shops, and to display in my booth at Surtex 2013! Yes, that’s right. I’m FINALLY going to register for this legendary trade show, after dreaming about it for years … Anyone else going to be there in May?

 

Wallpaper Designs

Wallpaper Designs

Here are some of my recent wallpaper designs in context. These and others will be shown tomorrow and Thursday at Indigo Brussels.

 

 

For a while I was really focused on designing for fashion, but wallpaper and interiors have my attention right now. I’m reading about Tricia Guild, of Designer’s Guild, and getting really inspired by her vision. She’s just a master at combining colors, scales, textures, materials, motifs, etc. When it comes to decorating your surroundings, or choosing your outfit for the day, what is more fun (and important) than that?

 

 

 

New Wallpaper: Provence Pastel

New Wallpaper: Provence Pastel

Here is the mood board I created last week in preparation for a new wallpaper design.

 

 

Of course, as is my natural tendency, I wanted to do a floral … I also loved the texture and movement that you see in the skirt and the painting above. Simultaneously though, I wanted to tone down the color palette and jump on this craze for vintage imagery that I’m seeing all around me here in the Netherlands. Are you seeing it where you live?

Here is a detail of the resulting design:

 

 

I hope it incorporates the vintage-style rose with my own signature style, a calming color palette (perhaps suitable for a child’s room) and the suggestions of flowering vines tumbling down a crumbling wall (so Provence!)

My agent Studio van den Broek will be showing this as part of a collection of my wallpaper designs at Indigo Brussels (Sept. 12-13).

Trina Turk contest – please vote

Trina Turk contest – please vote

Last week I entered the Threadless loves Trina Turk contest, twice. The winner(s) of the contest will see their prints on items in Trina Turk’s Fall 2013 collection. Results are partially based on scoring and comments over at threadless.com, so if you like what you see below, please click on the image to score and vote and help get me to the judging round.

 

Geo Sparkle

The inspiration for this design are the checkered markings of a Tessellate Trumpet shell (see previous post with sketches). The design originated as a simple checkered pattern, but got more layers and variation as it built up. It was important to me that it had movement in it, even though the basic shapes remain consistent. It’s a very basic pattern that has a lot of sophistication and complexity at closer inspection. It would be a great print for our ‘magpie’ to mix, match and build off of. It’s bold, graphic and geometric but feminine at the same time. The red triangles are, for me, like little sparkles that cascade down the print.

 

Snap Crackle Poppy

I wanted to do a floral with the suggested orange/leaf green/avocado green color palette, and the poppy was the flower I found best suited to the job. This is a bold, fun, graphic print that suits Trina Turk’s target customer – fun, fresh, confident. It’s optimistic, elegant and full of energy. I envision it on dresses, skirts, or even in home decor.

Thanks for your votes!

 

 

Feature in MOYO Magazine

Feature in MOYO Magazine

 

Rachael Taylor and Beth Nicholls have just released the first issue of the world’s first ever online magazine dedicated to surface design! It’s called  MOYO Magazine and it is packed with free information and inspiration. I don’t think these women ever sleep! They have so much energy and passion for their work – it’s inspiring.

What makes this inaugural issue extra special is that it features some of my work, as well as a quote about what the ‘Art and Business of Surface Pattern Design’ course has meant for me in my work.

 

 

Now I’m off to go read my copy!

Oh and P.S. here is a recently completed wallpaper design called “Seaspray Bouquet”.