Finding A Natural Focus

Finding A Natural Focus

Last week I received a link in my inbox to an inspiring blog post by Michelle Fifis over at Pattern Observer. The post was titled “Filling the Void in Today’s Textile Design Marketplace” and if you, like me, are trying to find your way in this surface design world, I highly recommend reading it, if you haven’t already.

Michelle shares that the competition in this industry has grown exponentially in the past 10 years. So, if you want to stand out, you have to step it up. You can earn your place in the industry by being a designer who creates great artwork and runs a professional business. She defines a professional business as one that has focus, authenticity, consistency and an understanding of how to communicate with clients.

One thing many designers struggle with is a lack of focus, according to Michelle. I can attest to that! There are truly so many directions you can take in this field. You could choose to design for wrapping paper, quilting fabrics, greeting cards, lamps, wallpaper, tabletop, fashion fabrics, you name it! Thanks to digital technology, just about every product can be printed and personalized these days.

Then there’s the way you work: You can choose to work for a company, or you can choose to work freelance. As a freelancer, you can choose to work with clients, an agent or represent yourself at trade shows (or some combination of the three). You can also manufacture your own product line. Blog. Teach. Etc.

You can see examples and be inspired by just about everything around you, because surface designs are, in fact, all around us, all the time!

It’s truly a bit overwhelming and I must admit I feel I’ve spent a lot of the past few years feeling a bit lost, or worse, schizophrenic. I just want to do everything I see around me. A bit unrealistic, I know …

But I’m hoping those days are behind me. Last night I quickly wrote out 5 pages about my past, present and future as an artist/designer, so that it would be there in black and white, and I’d no longer lose it in a sea of influence and inspiration. It’s taped up on my studio wall now, and it was a great support to me today as I started working in a whole new way (a way that I’m really excited about!) Stay tuned for more on that.

I think it’s incredibly important for all of us to take this precious moment to think about our natural focus. I know I’m always so eager to get down to the designing, but wait … Stop. Breathe. Make yourself a cup of tea and answer the following questions first:

What types of products/industry do you most want to design for? Why? What is your history/feeling/experience with this type of product/this industry?

What kinds of designs do you want to create? What are the 7 most important adjectives to describe them?

What is your process/style? What is unique about it?

What are your strengths as an artist/designer and how will you work to them?

How do you want people to feel when they interact with your work?

Anyway, Michelle’s advice is to identify your natural focus, then “run like the wind!” Learn everything you can about it. Become an expert in it. Specialize. Market yourself specifically to that industry. You know the old saying: “Jack of all trades, master of none?” That’s not what we’re going for. Having lots of choices isn’t always a good thing, at least not until you’ve made them. So, dig deep, look inside, and make those choices. I think you’ll feel relieved. I do!

A few posts back, I announced that my wallpaper obsession was taking hold. I’m still in the throes of it. So, I think I’ve identified my natural focus.

In the spirit of specializing, I spent part of my Saturday afternoon leafing through wallpaper books at Otto Van Iersel Paint & Wallpaper here in Vught. They were very nice and directed me to the latest florals from Eijffinger (NL), BoråsTapeter (Sweden), Origin (NL), Arte (BE), Esta (NL), Cole & Son (UK), Designers Guild (UK), Osborne & Little (UK), etc. Are these same brands in your local wallpaper store? If not, what brands are popular where you live?

Here are some highlights from my browsing session. As you can see, the middle images of papers by Eijffinger have a texture to them, and even in some cases a metallic background color. I liked that. These designs all seemed to share pretty simple patterns. A plain ground with one or two motifs, and you’re done. At least, traditionally.

But look at what Louise Tiler is doing with wallpaper:

Louise Tiler Wallpaper

Louise Tiler Wallpaper

 

Do you see anything you like? Would you consider any of these for your home? Why or why not?

Oh wait, here are some more choices from a company in the UK called Sanderson … What was I saying about too much choice not being a good thing??

So, so far I’ve bombarded you with flowers, because that’s what I love. But I have to admit I was surprised how much I fell for this new Brooklyn Tins wallpaper from NLXL/Merci and Piet Hein Eek, a product/furniture designer in Eindhoven known for his use of scrap wood/scrap materials in general.

 

Brooklyn Tins Wallpaper image courtesy of kleurinspiratie.nl

 

 

Is it because it reminds me of my glory days in Park Slope in 2001-2005? I don’t know. I think it’s just cool. Really cool.

Have you seen any interesting wallpapers lately, or do you know of any good places to study up? I want to know all about it!

P.S. Michelle Fifis is offering a new class called Building Your Textile Design Business, starting October 29. To find out more about it, click here. It’s sure to be great!

Feeling stuck, but hopeful.

Feeling stuck, but hopeful.

This week I’ve been doing what feels like banging my head against a wall, trying to complete a new design series. Does this ever happen to you? I know this is just part of the creative process, but it really is just how Julia Cameron describes it in The Artist’s Way. I have this horrible little voice in my head that’s constantly asking me: “And? You think that’s special?” “Is this whole pursuit even worthwhile?” “This is what you take time away from your kids for!?”

When I’m in a state like this, I don’t know whether to dig in and just keep forging ahead, or take a break. But so far I’ve just been stubbornly digging in, hoping for that breakthrough, that epiphany, that will restore my hope and faith – in myself, in this path I’ve chosen … you know? I’m really hoping that will happen tonight or tomorrow. Please God. If not, I guess I’ll be forced to take a break this weekend.

One of the feelings I’ve really been struggling with this week is one that I think is familiar to all mothers: guilt. Am I right? I feel bad about sending my kids to daycare 2 days a week so that I can work.

I just feel such a strong sense of responsibility towards them, and if they express an iota of displeasure about being in daycare, a (crazy) part of me has the urge to yank them out and keep them home with me ALL the time, barricade the door, home school them and never release them back into the real world … But they are 4.5 and 2.5 (old enough to enjoy and benefit from playing with other kids). My husband, who actually picks them up from daycare, says that when he does, they are usually so blissfully transported by whatever they’re doing that they ignore him and play on.

Ruby LOVES her school but sometimes complains about Friday’s after school program. Juliette always expresses reluctance about daycare (since we returned from summer holidays in August) and repeatedly tells me stories about a classmate who pushes and grabs things from her. These stories are, granted, largely unintelligible, and what I don’t understand I probably fill in with my guilty conscience. When we mentioned Juliette’s alleged victimization to one of her teachers, who is gold, gold, GOLD (!) she kind of politely said (in so many words) that if Juliette can dish it out, she can certainly take it. I’m sure she’s dishing out her fair share, as she is rather feisty, even for a 2-year old.

 

 

(Looks pretty sweet there though, doesn’t she?)

You see, when both of my daughters were born, it was immediately clear to me that they trumped anything else I ever have or ever will create – a gajillion (sp?) times over.

So, for me to take time away from them, it has to be for a worthwhile pursuit. On the other hand, I am a whole person, not just a mother. Just because I am a mother, I don’t have to let the rest of me slowly atrophy and die, do I? I need to be creating; I know this about myself. Plus, I know I am a better mother when I’m not a mother ALL the time. There are just so many things like this, where I guess you have to trust your internal feelings about what is right for you, because it’s different than what’s right for the next person. And even when you trust those feelings, there will be days, weeks – hopefully not much longer than that – when you doubt them.

 

Illustration I did of Ruby and Juliette reading (er, playing on the iPad) together.

 

I wanted to write about a children’s book this week, because last week a friend asked me for a recommendation and I totally blanked. But when I thought about it more and my brain finally booted up, I remembered a book I had as a child and that I just translated (unofficially, and with the kind help of my mother-in-law) into Dutch a few months ago, so that I could give it as a gift at Ruby’s school.

Do you have any favorite children’s books to recommend?

Well, this book I want to write about today kind of ties in with the idea I briefly mentioned above, of releasing your kids into the world – a world in which they might not be happy, a world in which they might not feel safe, all the time. It’s actually two books in a series: If You’re Afraid of the Dark, Remember the Night Rainbow, and If You’re Afraid of the Dark, Add One More Star to the Night, by Seattle-based Cooper Edens.

I had the first book as a kid and I remember being scared of it. Maybe there should be a subtitle or an instruction manual that says: If You’re Afraid of This Book, Read It When You’re 30. It’s kind of a children’s book for adults. But with a few more years and (some painful) experiences under my belt, I can really appreciate its poetic beauty, its heartbreaking/heartwarming faith and optimism in the human spirit and its ability to find a silver lining in any situation.

Here are some excerpts (in no particular order) and some of the magical illustrations that accompany them:

If you’re afraid of the dark … add one more star to the night.”

© Cooper Edens, If You're Afraid of the Dark, Add One More Star to the Night

 

“If tomorrow morning the sky falls … have clouds for breakfast.”

© Cooper Edens, If You're Afraid of the Dark, Remember the Night Rainbow

 

“If you have butterflies in your stomach … ask them into your heart.”

© Cooper Edens, If You're Afraid of the Dark, Remember the Night Rainbow

 

If you become lost … make wherever you are look like home.”

© Cooper Edens, If You're Afraid of the Dark, Add One More Star to the Night

 

“If you’re afraid of the dark … remember the night rainbow.”

© Cooper Edens, If You're Afraid of the Dark, Remember the Night Rainbow

 

If one day you must leave home … draw stars on the bottom of your shoes to light your way back.”

© Cooper Edens, If You're Afraid of the Dark, Add One More Star to the Night

 

If you’re at the end of your rope … untie the knot in your heart.”

© Cooper Edens, If You're Afraid of the Dark, Add One More Star to the Night

 

If your world has come undone … fasten it securely to the horizon.”

© Cooper Edens, If You're Afraid of the Dark, Add One More Star to the Night

 

If you must cry … plant your tears as seeds.”

© Cooper Edens, If You're Afraid of the Dark, Add One More Star to the Night

 

So … it’s maybe not hard to imagine that all this talk of pain and loss and suffering kind of put me off as a child (and I have to admit that Ruby and Juliette never request this book either). But reading it as an adult, I really appreciate its unconventionality. I appreciate the message that although we cannot always control what happens to us, we can control how we deal with what happens to us, how we fashion it into our lives, our personal histories, dreams and so on. Because it really is just on the other side of those fears/tears, that the most beautiful things can happen.

I feel this way about my kids, as I (sometimes guiltily) release them into the world. As a mother, of course you want to protect them from even the slightest twinge of discomfort. (As if you could). But on the other hand, you know if they never squared off against this inherent part of being human – pain – they would be the most boring, most unaccomplished human beings to walk the Earth! The question is not if they will experience pain (because you know they will) – at the hands of the pushing/grabbing classmate, or worse – but how they will experience it. As a mother, you cannot influence the if. But the how, yes, that’s where you come in. That’s where we all come in.

And I guess it’s the same with the creative process. We should remind ourselves, when we are in these snake pits of doubt, that it is in fact these low points that signal new, more magnificent vistas ahead. We just have to show up every day, as Elizabeth Gilbert says in her amazing TEDTalk about her creative process and philosophy.

And as the Great Julia Cameron reminds us on page 7 of The Artist’s Way:

“We must allow the bolt of pain to strike us. Remember, this is useful pain; lightning illuminates.”

 

The Artist’s Way and a Dutch Sunday Fair

The Artist’s Way and a Dutch Sunday Fair

A few weeks ago I purchased a book called The Artist’s Way, by Julia Cameron. If you don’t know it, you can read more about it at juliacameronlive. I’ve been taking my time to get through the introduction, because let’s face it I just don’t have time to read more than 3-4 pages a day these days … But anyway, it’s really starting to get good. I don’t know how this book avoided my radar screen for 35 years, but I’m glad to have it in my possession now. Basically, the book leads you on a 12-week course, divided into the following chapters: Safety, Identity, Power, Integrity, Possibility, Abundance, Connection, Strength, Compassion, Self-Protection, Autonomy and Faith. Each of these chapters is aimed at discovering and recovering your creative self.

Today I wrote my first ‘morning pages’. These are one of the two essential artist’s tools that Cameron explains in the introductory chapters. The idea is that you write 3 pages of stream of consciousness every morning. These pages are meant to be stuffed in an envelope and never looked at, read, or evaluated again. Their purpose is to get your silly, negative, critical thoughts (which originate in your logical/left/Censor brain) out (of the way) in order to unblock the creative thoughts which are struggling to make it out of your right/creative brain. Cameron’s claim is that you cannot maintain a daily practice of morning pages for an extended period of time without “coming into contact with an unexpected inner power.”

This sounds promising. Do you know of our have any thoughts on/experience with this book?

In the yoga class I took last year, we were asked to imagine a drain in the middle of the room, in which we were to direct our negative thoughts, the thoughts that don’t belong to us but that need to pass through us. It’s so important to recognize what is really part of you, versus what’s just passing through, and to be able to focus your energies on the former rather than the latter.

Well I found the morning pages really fun and I ended up writing 7 instead of 3 … I better reign myself in tomorrow, or I might crash and burn (out). Now seems like as good a moment as any to follow this program and hope it has some added value, at the moment when I need it most (preparing for Surtex 2013, my first trade show ever).

I will keep you posted as to my progress with The Artist’s Way here, on the blog.

Today we went to a “Lifestyle Fair” here in Vught (a village just outside ‘s Hertogenbosch). ‘s Hertogenbosh (or Den Bosch) is a city of about 100,000 in the south of the Netherlands (about an hour south of Amsterdam). We’ve lived here for just shy of 4 years now (my how the time flies!) I definitely would have lost consciousness if you told me I’d be living here 10 years ago, when I was in my mid-twenties and living in New York City, but as I tell myself repeatedly, it suits my lifestyle at this stage (i.e with kids). OK, if you happen to be out past 10 pm in Vught you won’t see another living soul on the street and may not even see a single light on (in other words, Vught is a bit boring) but it’s not like I have much of a night life anymore anyway (other than sitting at my computer cranking out designs …) My husband once told me that he observed, coming home from a rare night out, that the entire street was black, except for the skylight above my studio …

When we were looking to buy our first house (which we did approximately 30 days before the market officially crashed here in the Netherlands, but that’s beside the point …) we looked here and in Den Bosch (where my husband works). But I loved how green it was here. My husband grew up in Den Bosch, so Vught (8 km from Den Bosch) was by comparison ‘new territory’ for him. He was also for it. The great thing about Vught is that we have beautiful lakes and wooded areas that we run, cycle and walk around, but it’s also a 10- minute bike ride into the city, where there’s shopping and culture to be had. The best of both worlds, then.

This Lifestyle Fair we went to today was at the ‘Ijzeren Man’ (the Iron Man), one of the nicest lakes in the area and an 8-minute bike ride from our house.

It was a gorgeous fall day so we decided it was worth the €9,50 p.p. to be by the water and find out what a Lifestyle Fair is. (At least, I decided it was worth it. In hindsight, my husband would be totally justified in saying ‘I told you so’, but he would never do that, because he is a very nice guy.)

Highlight: the girls enjoyed petting these geese, who were trained to be nice (and were remarkably soft and thus well worth petting!)

Unfortunately, not all of the animals at the fair made it there alive :(

Well, I can at least say we all got a workout.

That unguided missile in pink is our youngest, Juliette (2).

And I love this photo of our oldest, Ruby (4) in action while the kid behind her heads for the end zone with a giant plastic banana!

Poor Ruby clearly got my love of prints. How about the deer shirt with the polka-dot skirt, polka-dot sweater and mismatched socks (when she has them on)? And this is pretty subtle, as her outfits go …

The girls get their fearlessness and athleticism from their Dad … There’s Ruby heading up to pluck some more plastic bananas …

After all that jumping, running and climbing it was of course time to refuel, in true Dutch style, at the cheese tent.

Juliette couldn’t keep her hands to herself. Cheese is one of the few foods she eats.

Just in case it wasn’t Dutch enough for you yet, here are some clogs for good measure.

Well, there were very few people at the fair, even though it was such a beautiful day. We agreed there was kind of a weird atmosphere, like the fair was geared to a certain (wealthy) segment of the population in a way that just made you (us) feel kind of uncomfortable and gross.

I try to avoid that kind of ‘scene’ as much as I can. But I did stay behind to take some more photos while Robert and the girls headed home to make lunch (that’s them in the background above; on the left you see Robert in a blue jacket).

Unfortunately, Robert inadvertently took my coat (which had my bike key in it) and I ended up having to walk home.

That annoyed me for about 30 seconds, until I realized that that wasn’t really a punishment, on such a perfect fall day.

This is the forested path between the Ijzeren Man and our house, a place I often go running.

Today, everyone else was out running, along one of the most beautiful streets in Vught (the Loonsebaan), on an organized 5/10/15K.

Isn’t that a great thatched roof? Drool.

The Loonsebaan also has its own restaurant, across from the Vughtse Heide (the Vught Heather), a nature preserve and favorite spot for (dog) walkers. Walking or biking, followed by sitting out on a terrace drinking coffee are typical Sunday activities here in the Netherlands, where just about everything (with the exception of – some – restaurants) is closed on Sunday.

Here’s another great house. At this point I was almost home, and totally content to be walking, having some time to myself for a change. Meanwhile, my husband was trying to fish Juliette out of a ditch, which she’d thrown herself into during a temper tantrum over the fact that I hadn’t come with them. At least one of us was feeling peaceful and grounded …

Here I am, nearing home. This is our street. Notice the bike paths on each side of the road. Bikes rule here. We live up where that tiny red car is, on the left.

Here’s our house, in the middle, with the grey door. You can’t really see it because my husband has been meaning to cut back those trees since we got back from our summer vacation at the beginning of August. Anyway, you can see the skylight I sit under when I’m designing and writing The Wonder in Us. This is a typical 1930′s row house, built before the war with a lot of original details inside, like the granite floors in the hall and the stained glass sliding doors separating the living and dining rooms. It charmed us immediately when we first saw it, and it’s been a great house, which has gotten cozier and cozier (or one could say smaller and smaller) as we’ve gone from living here with an 8-month-old to living here with a 4- and 2-year old.

When I walked in, Robert and Ruby and Juliette (with burrs in the back of her sweater, from the aforementioned ditch/temper tantrum) were waiting with fresh olive bread and walnut cheese from the Lifestyle Fair.

And that sums up our lifestyle anyway. These are very happy days.

Plus, I was able to give our tickets to a friend who went to the fair later, so I didn’t feel like quite as big of a sucker for spending the €9.50.

Registered for Surtex

Registered for Surtex

Yesterday I officially registered for next year’s Surtex, which will take place May 19-21, 2013 at the Javits Center in NYC!

Provided my application is accepted, which I of course can’t take for granted, this will be the fire under my * to create designs at lightning speed over the coming months.

In addition to design production, I’m already starting to think about presentation ideas (as I feel these are just as important). I’ve just trolled around the web for some inspiring shots of booth displays, of which I’ll share a few here. My favorites are of Amy Butler‘s … I know her budget and name are, like, exponentially bigger than mine, but I love the way she uses actual product samples and product photography to create, as she does, a world unto itself …

She ties everything together so well, and her spaces are so inviting. I love how, in the middle image, she keeps the desk area tucked in a back corner, so that the front of the booth is open and inviting, with only a low table defining the space.

One of my interior designer friends once told me that lighting is SO important. I HAS to be good, or nothing else will be. If I look at these photos, I see spotlights and small lamps that accentuate the work and make the space feel warm and intimate.

Again, I’ll have to puzzle a bit about how I can achieve a fraction of this effect, given that my booth will be a fraction of this size …

I thought Jane Bridges and Louise Tiler (above), winners of the designnext competition in 2011 did a nice job at their first Surtex show. I like the relatively spare look of their booths and the variety in scale of the pieces on the walls. It looks like Louise had at least one image of her work in context, and whoever’s idea it was to let the rolls of paper roll at the bottom instead of fastening them flat – genius!

Khristian A Howell‘s booth (above) is fuller, but I like the way she presents named collections of work in an organized way. She also uses a variety of shapes, sizes and scales to make the display that much more interesting and eye-catching.

It looks like she might have set her designs up in a book (maybe she made it with iPhoto?) instead of creating a binder with plastic sleeves. What would the advantage of that be? I think it looks great. Maybe it would be good to have both though. This seems like something potential clients could flip through themselves, while the binder with the plastic sleeves seems like the ‘official’ book that you could look through with them …

Have you come across any nice trade show/craft show stands lately? What are some original ideas that caught your eye?

 

 

 

 

Paris. Now quieting down.

Paris. Now quieting down.

Last weekend I had the privilege of visiting my favorite city in the world – Paris – for the 8th time. I’m definitely neglecting the rest of the world with my repeated adventures to the French capital, but what can I say? It just never disappoints.

Walking around the 5th, I discovered Girly Paris (probably because I was enjoying my freedom but missing my girls at the same time, so I had to photograph some other people’s daughters). Sad, huh?

and Technicolor Paris …

Given my new wallpaper obsession, I loved coming across an interior design shop with what seemed to be a whole archive of every wallpaper ever made …

Tomorrow I’ll be working on a ‘quieter’ wallpaper design. With that in mind, I started following Jill Lauck on Pinterest. She has the most beautiful neutral palettes on almost all of her boards. This is her tumblr page with a Paris theme.

Isn’t it funny? It seems like we visited different cities, doesn’t it?

Passport to her Paris please! It seems so light and clean and peaceful there. Don’t you just love this room?

My Wallpaper Obsession Takes Hold

My Wallpaper Obsession Takes Hold

Last week I checked out one of Tricia Guild’s books from the library, and she got me really inspired about wallpaper design, or designing for interiors in general. I have to recognize this inclination of mine to spend painstaking hours completing a single design. After I’ve invested all that work, I want the design to create a whole experience, to evoke a mood. I want to create something that’s kind of ‘large and in charge’, and an accent wall seems like just the place for me :)

Last week I also picked up The Ultimate Guide to Wallpaper by Charlotte Abrahams. It has a great collection of different kinds of wallpaper, different ways to use it (think of lining cabinets, framing it, etc.) and different ways to combine it.

I’m continuing to work with the paintbrushes in Photoshop and I love the intersection that my fine arts and digital arts backgrounds/experience finds here. I love painting, but I never wanted to create a single work that hung in a gallery. Now I can paint knowing that my work can be applied to any number of products – wallpaper, interior textiles, fashion textiles, accessories, paper goods … and seen all over the world. Truly exciting!

 

 

Here’s the design I completed last week, in a couple of contexts. I’d like to see it in a really industrial space, because I think it would be a really interesting contrast between old and new (old subject matter/new techniques and old space/new space). For now, I’ve plopped it into an IKEA ad (above) and an image I picked up from the June issue of my favorite Dutch interior magazine, VTWonen (below).

 

 

The repeat is huge (almost 2m x 1 m), so up close, you can see all the brush strokes. I love that we used to hang paintings on walls, but now have the technology to turn the walls themselves into the paintings …

Later this week I’m heading down to Print Unlimited to pick some fabric types, as I’d like to see this design (scaled down to a smaller size) on some dresses, skirts and pillows too. I’m finally ready to create some prototypes – to wear, take around to shops, and to display in my booth at Surtex 2013! Yes, that’s right. I’m FINALLY going to register for this legendary trade show, after dreaming about it for years … Anyone else going to be there in May?

 

Trends for F/W 13/14 via WeConnectFashion

Trends for F/W 13/14 via WeConnectFashion

Did you know it’s the yarn and fiber folks we need to be watching for trend direction? That they’re always signaling what’s next? That’s what I just read over at WeConnectFashion, where they’ve published a trend report called “Writing the Next Chapter”, courtesy of SPINEXPO, an exhibition in NYC and Shanghai that’s specific to the fiber, yarn and knitting sectors.

 

"Epilogue" image courtesy of WeConnectFashion

 

I like SPINEXPO’s inspiration of a “Next Chapter” made up of Prologue, Genre, Narrative and Epilogue, each signaling a major global trend and each with its own color story. Read more about it here.

Trendstop.com has also provided WeConnectFashion with a color forecast featuring lavender for women, men, accessories and … hair! This strikes me as a fun key trend to play with, although I’ll probably stop short of dyeing my hair :)

 

Image courtesy of WeConnectFashion

 

 

Wallpaper Designs

Wallpaper Designs

Here are some of my recent wallpaper designs in context. These and others will be shown tomorrow and Thursday at Indigo Brussels.

 

 

For a while I was really focused on designing for fashion, but wallpaper and interiors have my attention right now. I’m reading about Tricia Guild, of Designer’s Guild, and getting really inspired by her vision. She’s just a master at combining colors, scales, textures, materials, motifs, etc. When it comes to decorating your surroundings, or choosing your outfit for the day, what is more fun (and important) than that?

 

 

 

New Wallpaper: Provence Pastel

New Wallpaper: Provence Pastel

Here is the mood board I created last week in preparation for a new wallpaper design.

 

 

Of course, as is my natural tendency, I wanted to do a floral … I also loved the texture and movement that you see in the skirt and the painting above. Simultaneously though, I wanted to tone down the color palette and jump on this craze for vintage imagery that I’m seeing all around me here in the Netherlands. Are you seeing it where you live?

Here is a detail of the resulting design:

 

 

I hope it incorporates the vintage-style rose with my own signature style, a calming color palette (perhaps suitable for a child’s room) and the suggestions of flowering vines tumbling down a crumbling wall (so Provence!)

My agent Studio van den Broek will be showing this as part of a collection of my wallpaper designs at Indigo Brussels (Sept. 12-13).

Trina Turk contest – please vote

Trina Turk contest – please vote

Last week I entered the Threadless loves Trina Turk contest, twice. The winner(s) of the contest will see their prints on items in Trina Turk’s Fall 2013 collection. Results are partially based on scoring and comments over at threadless.com, so if you like what you see below, please click on the image to score and vote and help get me to the judging round.

 

Geo Sparkle

The inspiration for this design are the checkered markings of a Tessellate Trumpet shell (see previous post with sketches). The design originated as a simple checkered pattern, but got more layers and variation as it built up. It was important to me that it had movement in it, even though the basic shapes remain consistent. It’s a very basic pattern that has a lot of sophistication and complexity at closer inspection. It would be a great print for our ‘magpie’ to mix, match and build off of. It’s bold, graphic and geometric but feminine at the same time. The red triangles are, for me, like little sparkles that cascade down the print.

 

Snap Crackle Poppy

I wanted to do a floral with the suggested orange/leaf green/avocado green color palette, and the poppy was the flower I found best suited to the job. This is a bold, fun, graphic print that suits Trina Turk’s target customer – fun, fresh, confident. It’s optimistic, elegant and full of energy. I envision it on dresses, skirts, or even in home decor.

Thanks for your votes!